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Top Types of Real Christmas Trees

Christmas tree lights

There are several types of real Christmas trees, all of which are a cheap choice over artificial. The most common types of Christmas trees are the six-foot Scotch pines, which fit nicely into the average home living room.

One type of Christmas tree is the deodora cedar, which has blue-green short needles with pendulous needle tips. Another cedar, the Eastern red, has shiny dark green leaves and gives off a great scent, though it’s sticky to the touch and will only last 2-3 weeks. As this tree dries out quickly it is best used in a humid climate.

One of the most popular of Christmas trees in the southeast part of the U.S. is the Leland Cypress, with dark green or gray foliage. Its branches are feathery and its scent is pleasant but light. This tree is ideal in the home of allergen-troubled folks.

The Douglas fir is a popular type of Christmas tree, and easily flocked. It has a great fragrance and lives longer than a lot of other trees. Its leaves are either dark green or blue. Its sister fir, the Fraser, has needles that are flatter and dark green. It holds its needles well and gives off a pleasant aroma. For a more citrus aroma from your Christmas tree you should choose the grand fir, with dark green shiny needles. If you want a more durable tree that can hold your heavy ornaments the noble fir is a great choice. It lives longer and healthier as a Christmas tree and makes an attractive, strong and durable wreath as well.

Pine and spruce are too other commonly used types of Christmas trees. The pine has a great fragrance. The spruce however, dries quickly and its needles drop rapidly.

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Unique Christmas Tree Themes

christmas tree

If you are a style maven who is a bit bored with the traditional then you might be interested in unique christmas tree themes. Here are some unique suggestions for christmas tree themes that are sure to be real conversation starters.

The Christmas Cocktail Party Tree

This christmas tree theme looks great on both big and small trees. First, if your tree is not a prelit tree try stringing it with a string of novelty lights instead of the usual egg shaped lights. You can buy plastic novelty lights in the shape of Chinese Lanterns (for a 50′s feel), chili peppers (for that modern martini bar feel) and Pink Flamingos (for that Tikki cocktail party atmosphere.)

Then try decorating the tree with tiny cocktail parasols and multicolored cocktail picks. If your tree is really big you could also decorate it with plastic champagne glasses into which you have glued sequins or glitter.  Miniature chocolates filled with liquor also make nice tree decorations.

The Gingerbread Tree

This most gorgeous of christmas tree themes never goes out of style. It looks best on a green or red tree.  Decorate it with gingerbread man cookies, red glass balls, tons of candy canes, red velvet bows and homemade paper snowflake ornaments. 

This tree looks great accented it with white or gold beaded garland or a bushy red or white tinsel garland. or icicle-look garland. Top it with a Christmas themed stuffed white or brown teddy bear.

The Chocolate and Gold Tree

This is probably the trendiest of the christmas tree themes described here. It looks great on a red artificial tree.  The color scheme in this case is reds, browns and golds. Tiny twinkling gold and red lights look best. Think of the eighties when you decorate this one. 

Decorate this tree with walnuts, pinecones and chocolates wrapped in foil. Gold  coins are a nice touch. Then tie large transclucent gold and red  ribbons, using the kind of ribbon that has bendable wire inside onto the ends of the trees.  The ultimate effect of this tree should be very opulent and lush.

The New Baby Tree

If you are celebrating the birth of a child or a child’s first birthday this is a great tree to honor how happy you are about the new arrival in your home.  The decorations suggested look great on any kind of tree but you could consider buying a small blue or pink artificial tree.  This is a good idea so any toddlers or infants around can’t get ahold of any shed needles. Also if you buy prelit artificial trees then you don’t have to worry about them yanking lights and pulling the whole thing down. If you have lots of toddlers around then you might want to opt for a small ceramic christmas tree until they are old enough not to grab at decorations and xmas tree limbs.

Pink, mint green, lavender and blue frosted glass christmas balls look particularly nice on pink or blue artificial trees. You can also decorate these trees with baby toys, baby bottles filled with candy, teddy bears, baby booties and socks, pacifiers and wooden alphabet blocks. Little stuffed animals look great on this type of tree and a larger teddy bear or soft plush toy makes a great tree topper. If the baby is a girl you might want to consider topping the tree with a doll dressed as an angel.

The Peppermint Twist Tree

This most minimalist of christmas tree themes  looks fantastic on a bright white, prelit artificial tree. The color scheme of this is red and white but you can add a touch of green in the lights that you string around it. Purists however think that keeping the whole thing red and white in every way looks best.

When it comes to the decorations stick with red and white round glass balls. Red and white frosted glass balls look much better than the conical ones. Also festoon the branches with as many red and white peppermint candy canes as you can find. Remember too that you can also stripe red or white christmas balls with white or red glitter by simply adding some glue in a striped shape to the ball and rolling it in the glitter. 

You can also accent this look with red and white ball shaped peppermint candies.  A large lollipop with red and white striping and surrounded by a sunburst bouquet of candy canes makes a great tree topper.

The Sea Side Tree

This most unusual of christmas tree themes looks best on artificial trees in aqua or light blue colors. However it would also suit any tree that has a coral color such as light orange or pink.

This tree is decorated with treasures from the sea including seashells, sea horses, and ornaments made from aquarium decorations (treasure chests, coins and corals.) Strings of pearls can be used as a garland and novelty lights shaped like seashells or even fish can be strung to enhance the aquatic theme.
The Snow and Ice Tree

This is one of the most unusual of christmas tree themes as it is white and icy blue instead of the more familiar red and green. First decorate it with a garland of novelty lights shaped like icicles or snowflakes. Your decorations should be made of see through plastic or crystal so it looks like the tree is dripping with frozen, glittering shapes. Instead of cotton batten, drape the tree with faux spider webs or cotton shreddings to simulate boughs heavy with snow. You can even mound this cotton at the ends of the bough so it looks like it has been clumped there.

Your final step is to spray the whole thing down generously with flocking. Flocking is simulated snow that comes in an aerosol can. You can spray this stuff on just about any kind of tree including artificial prelit christmas trees and ceramic trees to make them look frostier.

This treatment is stunning on a white artificial tree but it also looks great on red, purple, blue or other artificial trees as all of the white provides a nice contrast to the tree’s original color.

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THE CHRISTMAS TREE

The most widespread, and to children the most delightful, of all festal institutions is the Christmas-tree. Its picturesqueness and gay charm have made it spread rapidly all over Europe without roots in national tradition, for, as most people know, it is a German creation, and even in Germany it attained its present immense popularity only in the nineteenth century. To Germany, of course, one should go to see the tree in all its glory. Many people, indeed, maintain that no other Christmas can compare with the German Weihnacht. “It is,” writes Miss I. A. R. Wylie, “that childish, open-hearted simplicity which, so it seems to me, makes Christmas essentially German, or at any rate explains why it is that nowhere else in the world does it find so pure an expression. The German is himself simple, warm-hearted, unpretentious, with something at the bottom of him which is childlike in the best sense. He is the last ‘Naturmensch’ in civilization.” Christmas suits him “as well as a play suits an actor for whose character and temperament it has been especially written.”

In Germany the Christmas-tree is not a luxury for well-to-do people as in England, but a necessity, the very centre of the festival; no one is too poor or too lonely to have one. There is something about a German Weihnachtsbaum—a romance and a wonder—that English Christmas-trees do not possess. For one thing, perhaps, in a land of forests the tree seems more in place; it is a kind of sacrament linking mankind to the mysteries of the woodland. Again the German tree is simply a thing of beauty and radiance; no utilitarian presents hang from its boughs—they are laid apart on a table—and the tree is purely splendour for splendour’s sake. However tawdry it may look by day, at night it is a true thing of wonder, shining with countless lights and glittering ornaments, with fruit of gold and shimmering festoons of silver. Then there is the solemnity with which it is surrounded; the long secret preparations behind the closed doors, and, when Christmas Eve arrives, the sudden revelation of hidden glory. The Germans have quite a religious feeling for their Weihnachtsbaum, coming down, one may fancy, from some dim ancestral worship of the trees of the wood.

As Christmas draws near the market-place in a German town is filled with a miniature forest of firs; the trees are sold by old women in quaint costumes, and the shop-windows are full of candles and ornaments to deck them. Mrs. Alfred Sidgwick in her “Home Life in Germany” gives a delightful picture of such a Christmas market in “one of the old German cities in the hill country, when the streets and the open places are covered with crisp clean snow, and the mountains are white with it…. The air is cold and still, and heavy with the scent of the Christmas-trees brought from the forest for the pleasure of the children. Day by day you see the rows of them growing thinner, and if you go to the market on Christmas Eve itself you will find only a few trees left out in the cold. The market is empty, the peasants are harnessing their horses or their oxen, the women are packing up their unsold goods. In every home in the city one of the trees that scented the open air a week ago is shining now with lights and little gilded nuts and apples, and is helping to make that Christmas smell, all compact of the pine forest, wax candles, cakes and painted toys, you must associate so long as you live with Christmas in Germany.”

Even in London one may get a glimpse of the Teutonic Christmas in the half-German streets round Fitzroy Square. They are bald and drab enough, but at Christmas here and there a window shines with a lighted tree, and the very prosaic Lutheran church in Cleveland Street has an unwonted sight to show—two great fir-trees decked with white candles, standing one on each side of the pulpit. The church of the German Catholics, too, St. Boniface’s, Whitechapel, has in its sanctuary two Christmas-trees strangely gay with coloured glistening balls and long strands of gold and silver engelshaar. The candles are lit at Benediction during the festival, and between the shining trees the solemn ritual is performed by the priest and a crowd of serving boys in scarlet and white with tapers and incense.

There is a pretty story about the institution of the Weihnachtsbaum by Martin Luther: how, after wandering one Christmas Eve under the clear winter sky lit by a thousand stars, he set up for his children a tree with countless candles, an image of the starry heaven whence Christ came down. This, however, belongs to the region of legend; the first historical mention of the Christmas-tree is found in the notes of a certain Strasburg citizen of unknown name, written in the year 1605. “At Christmas,” he writes, “they set up fir-trees in the parlours at Strasburg and hang thereon roses cut out of many-coloured paper, apples, wafers, gold-foil, sweets, &c.”

We next meet with the tree in a hostile allusion by a distinguished Strasburg theologian, Dr. Johann Konrad Dannhauer, Professor and Preacher at the Cathedral. In his book, “The Milk of the Catechism,” published about the middle of the seventeenth century, he speaks of “the Christmas- or fir-tree, which people set up in their houses, hang with dolls and sweets, and afterwards shake and deflower.” “Whence comes the custom,” he says, “I know not; it is child’s play…. Far better were it to point the children to the spiritual cedar-tree, Jesus Christ.”

In neither of these references is there any mention of candles—the 266most fascinating feature of the modern tree. These appear, however, in a Latin work on Christmas presents by Karl Gottfried Kissling of the University of Wittenberg, written in 1737. He tells how a certain country lady of his acquaintance set up a little tree for each of her sons and daughters, lit candles on or around the trees, laid out presents beneath them, and called her children one by one into the room to take the trees and gifts intended for them.

With the advance of the eighteenth-century notices of the Weihnachtsbaum become more frequent: Jung Stilling, Goethe, Schiller, and others mention it, and about the end of the century its use seems to have been fairly general in Germany.  In many places, however, it was not common till well on in the eighteen hundreds: it was a Protestant rather than a Catholic institution, and it made its way but slowly in regions where the older faith was held.  Well-to-do townspeople welcomed it first, and the peasantry were slow to adopt it. In Old Bavaria, for instance, in 1855 it was quite unknown in country places, and even to-day it is not very common there, except in the towns.  “It is more in vogue on the whole,” wrote Dr. Tille in 1893, “in the Protestant north than in the Catholic south,” but its popularity was rapidly growing at that time.

A common substitute for the Christmas-tree in Saxony during the nineteenth century, and one still found in country places, was the so-called “pyramid,” a wooden erection adorned with many-coloured paper and with lights. These pyramids were very popular among the smaller bourgeoisie and artisans, and were kept from one Christmas to another.  In Berlin, too, the pyramid was once very common. It was there adorned with green twigs as well as with candles and coloured paper, and had more resemblance to the Christmas-tree.  Tieck refers to it in his story, “Weihnacht-Abend” (1805).

Pyramids, without lights apparently, were known in England before 1840. In Hertfordshire they were formed of gilt evergreens, apples, and nuts, and were carried about just before Christmas for presents. In Herefordshire they were known at the New Year.

The Christmas-tree was introduced into France in 1840, when Princess Helene of Mecklenburg brought it to Paris. In 1890 between thirty and thirty-five thousand of the trees are said to have been sold in Paris.

In England it is alluded to in 1789, but its use did not become at all general until about the eighteen-forties. In 1840 Queen Victoria and Prince Albert had a Christmas-tree, and the fashion spread until it became completely naturalized.   In Denmark and Norway it was known in 1830, and in Sweden in 1863 (among the Swedish population on the coast of Finland it seems to have been in use in 1800).   In Bohemia it is mentioned in 1862.   It is also found in Russia, the United States, Spain, Italy, and Holland, and of course in Switzerland and Austria, so largely German in language and customs. In non-German countries it is rather a thing for the well-to-do classes than for the masses of the people.

The Christmas-tree is essentially a domestic institution. It has, however, found its way into Protestant churches in Germany and from them into Catholic churches. Even the Swiss Zwinglians, with all their Puritanism, do not exclude it from their bare, white-washed fanes. In the Münsterthal, for instance, a valley of Romonsch speech, off the Lower Engadine, a tree decked with candles, festoons, presents, and serpent-squibs, stands in church at Christmas, and it is difficult for the minister to conduct service, for all the time, except during the prayers, the people are letting off fireworks. On one day between Christmas Eve and New Year there is a great present-giving in church.

In Munich, and doubtless elsewhere, the tree appears not only in the church and in the home, but in the cemetery. The graves of the dead are decked on Christmas Eve with holly and mistletoe and a little Christmas-tree with gleaming lights, a touching token of remembrance, an attempt, perhaps, to give the departed a share in the brightness of the festival.

The question of the origin of Christmas-trees is of great interest. Though their affinity to other sacraments of the vegetation-spirit is evident, it is difficult to be certain of their exact ancestry. Dr. Tille regards them as coming from a union of two elements: the old Roman custom of decking houses with laurels and green trees at the Kalends of January, and the popular belief that every Christmas Eve apple and other trees blossomed and bore fruit.

Before the advent of the Christmas-tree proper—a fir with lights and ornaments often imitating and always suggesting flowers and fruit—it was customary to put trees like cherry or hawthorn into water or into pots indoors, so that they might bud and blossom at New Year or Christmas.   Even to-day the practice of picking boughs in order that they may blossom at Christmas is to be found in some parts of Austria. In Carinthia girls on St. Lucia’s Day (December 13) stick a cherry-branch into wet sand; if it blooms at Christmas their wishes will be fulfilled. In other parts the branches—pear as well as cherry—are picked on St. Barbara’s Day (December 4), and in South Tyrol cherry-trees are manured with lime on the first Thursday in Advent so that they may blossom at Christmas.   The custom may have had to do with legendary lore about the marvellous transformation of Nature on the night of Christ’s birth, when the rivers ran wine instead of water and trees stood in full blossom in spite of ice and snow.

In England there was an old belief in trees blossoming at Christmas, connected with the well-known legend of St. Joseph of Arimathea. When the saint settled at Glastonbury he planted his staff in the earth and it put forth leaves; moreover it blossomed every Christmas Eve. Not only the original thorn at Glastonbury but trees of the same species in other parts of England had this characteristic. When in 1752 the New Style was substituted for the Old, making Christmas fall twelve days earlier, folks were curious to see what the thorns would do. At Quainton in Buckinghamshire two thousand people, it is said, went out on the new Christmas Eve to view a blackthorn which had the Christmas blossoming habit. As no sign of buds was visible they agreed that the new Christmas could not be right, and refused to keep it. At Glastonbury itself nothing happened on December 24, but on January 5, the right day according to the Old Style, the thorn blossomed as usual.

Let us turn to the customs of the Roman Empire which may be in part responsible for the German Christmas-tree. The practice of adorning houses with evergreens at the January Kalends was common throughout the Empire, as we learn from Libanius, Tertullian, and Chrysostom. A grim denunciation of such decorations and the lights which accompanied them may be quoted from Tertullian; it makes a pregnant contrast of pagan and Christian. “Let them,” he says of the heathen, “kindle lamps, they who have no light; let them fix on the doorposts laurels which shall afterwards be burnt, they for whom fire is close at hand; meet for them are testimonies of darkness and auguries of punishment. But thou,” he says to the Christian, “art a light of the world and a tree that is ever green; if thou hast renounced temples, make not a temple of thy own house-door.”

That these New Year practices of the Empire had to do with the Weihnachtsbaum is very possible, but on the other hand it has closer parallels in certain folk-customs that in no way suggest Roman or Greek influence. Not only at Christmas are ceremonial “trees” to be found in Germany. In the Erzgebirge there is dancing at the summer solstice round “St. John’s tree,” a pyramid decked with garlands and flowers, and lit up at night by candles.   At midsummer “in the towns of the Upper Harz Mountains tall fir-trees, with the bark peeled off their lower trunks, were set up in open places and decked with flowers and eggs, which were painted yellow and red. Round these trees the young folk danced by day and the old folk in the evening”; while on Dutch ground in Gelderland and Limburg at the beginning of May trees were adorned with lights.

Nearer to Christmas is a New Year’s custom found in some Alsatian villages: the adorning of the fountain with a “May.” The girls who visit the fountain procure a small fir-tree or holly-bush, and deck it with ribbons, egg-shells, and little figures representing a shepherd or a man beating his wife. This is set up above the fountain on New Year’s Eve. On the evening of the next day the snow is carefully cleared away and the girls dance and sing around the fountain. The lads may only take part in the dance by permission of the girls. The tree is kept all through the year as a protection to those who have set it up.

In Sweden, before the advent of the German type of tree, it was customary to place young pines, divested of bark and branches, outside the houses at Christmastide.   An English parallel which does not suggest any borrowing from Germany, was formerly to be found at Brough in Westmoreland on Twelfth Night. A holly-tree with torches attached to its branches was carried through the town in procession. It was finally thrown among the populace, who divided into two parties, one of which endeavoured to take the tree to one inn, and the other, to a rival hostelry.  We have here pretty plainly a struggle of two factions—perhaps of two quarters of a town that were once separate villages—for the possession of a sacred object.

We may find parallels, lastly, in two remote corners of Europe. In the island of Chios—here we are on Greek ground—tenants are wont to offer to their landlords on Christmas morning a rhamna, a pole with wreaths of myrtle, olive, and orange leaves bound around it; “to these are fixed any flowers that may be found—geraniums, anemones, and the like, and, by way of further decoration, oranges, lemons, and strips of gold and coloured paper.”   Secondly, among the Circassians in the early half of the nineteenth century, a young pear-tree used to be carried into each house at an autumn festival, to the sound of music and joyous cries. It was covered with candles, and a cheese was fastened to its top. Round about it they ate, drank, and sang. Afterwards it was removed to the courtyard, where it remained for the rest of the year.

Though there is no recorded instance of the use of a tree at Christmas in Germany before the seventeenth century, the Weihnachtsbaum may well be a descendant of some sacred tree carried about or set up at the beginning-of-winter festival. All things considered, it seems to belong to a class of primitive sacraments of which the example most familiar to English peoples is the May-pole. This is, of course, an early summer institution, but in France and Germany a Harvest May is also known—a large branch or a whole tree, which is decked with ears of corn, brought home on the last waggon from the harvest field, and fastened to the roof of farmhouse or barn, where it remains for a year.   Mannhardt has shown that such sacraments embody the tree-spirit conceived as the spirit of vegetation in general, and are believed to convey its life-giving, fructifying influences. Probably the idea of contact with the spirit of growth lay also beneath the Roman evergreen decorations, so that whether or not we connect the Christmas-tree with these, the principle at the bottom is the same.

Certain Christian ideas, finally, besides that of trees blossoming on the night of the Nativity, may have affected the fortunes of the Christmas-tree. December 24 was in old Church calendars the day of Adam and Eve, the idea being that Christ the second Adam had repaired by His Incarnation the loss caused by the sin of the first. A legend grew up that Adam when he left Paradise took with him an apple or sprout from the Tree of Knowledge, and that from this sprang the tree from which the Cross was made. Or it was said that on Adam’s grave grew a sprig from the Tree of Life, and that from it Christ plucked the fruit of redemption. The Cross in early Christian poetry was conceived as the Tree of Life planted anew, bearing the glorious fruit of Christ’s body, and repairing the mischief wrought by the misuse of the first tree. We may recall a verse from the “Pange, lingua” of Passiontide:—

“Faithful Cross! above all other,
One and only noble tree!
None in foliage, none in blossom,
None in fruit thy peer may be:
Sweetest wood and sweetest iron!
Sweetest weight is hung on thee.”

In the religious Christmas plays the tree of Paradise was sometimes shown to the people. At Oberufer, for instance, it was a fine juniper-tree, adorned with apples and ribbons. Sometimes Christ Himself was regarded as the tree of Paradise.   The thought of Him as both the Light of the World and the Tree of Life may at least have given a Christian meaning to the light-bearing tree, and helped to establish its popularity among pious folk.

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THE FIRST CHRISTMAS TREE

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Once upon a time the forest was in a great commotion. Early in the
evening the wise old cedars had shaken their heads ominously and
predicted strange things. They had lived in the forest many, many
years; but never had they seen such marvellous sights as were to be
seen now in the sky, and upon the hills, and in the distant village.

“Pray tell us what you see,” pleaded a little vine; “we who are not as
tall as you can behold none of these wonderful things. Describe them
to us, that we may enjoy them with you.”

“I am filled with such amazement,” said one of the cedars, “that I can
hardly speak. The whole sky seems to be aflame, and the stars appear
to be dancing among the clouds; angels walk down from heaven to the
earth, and enter the village or talk with the shepherds upon the
hills.”

The vine listened in mute astonishment. Such things never before had
happened. The vine trembled with excitement. Its nearest neighbor was
a tiny tree, so small it scarcely ever was noticed; yet it was a very
beautiful little tree, and the vines and ferns and mosses and other
humble residents of the forest loved it dearly.

“How I should like to see the angels!” sighed the little tree, “and
how I should like to see the stars dancing among the clouds! It must
be very beautiful.”

As the vine and the little tree talked of these things, the cedars
watched with increasing interest the wonderful scenes over and beyond
the confines of the forest. Presently they thought they heard music,
and they were not mistaken, for soon the whole air was full of the
sweetest harmonies ever heard upon earth.

“What beautiful music!” cried the little tree. “I wonder whence it
comes.”

“The angels are singing,” said a cedar; “for none but angels could
make such sweet music.”

“But the stars are singing, too,” said another cedar; “yes, and the
shepherds on the hills join in the song, and what a strangely glorious
song it is!”

The trees listened to the singing, but they did not understand its
meaning: it seemed to be an anthem, and it was of a Child that had
been born; but further than this they did not understand. The strange
and glorious song continued all the night; and all that night the
angels walked to and fro, and the shepherd-folk talked with the
angels, and the stars danced and carolled in high heaven. And it was
nearly morning when the cedars cried out, “They are coming to the
forest! the angels are coming to the forest!” And, surely enough, this
was true. The vine and the little tree were very terrified, and they
begged their older and stronger neighbors to protect them from harm.
But the cedars were too busy with their own fears to pay any heed to
the faint pleadings of the humble vine and the little tree. The
angels came into the forest, singing the same glorious anthem about
the Child, and the stars sang in chorus with them, until every part of
the woods rang with echoes of that wondrous song. There was nothing in
the appearance of this angel host to inspire fear; they were clad all
in white, and there were crowns upon their fair heads, and golden
harps in their hands; love, hope, charity, compassion, and joy beamed
from their beautiful faces, and their presence seemed to fill the
forest with a divine peace. The angels came through the forest to
where the little tree stood, and gathering around it, they touched it
with their hands, and kissed its little branches, and sang even more
sweetly than before. And their song was about the Child, the Child,
the Child that had been born. Then the stars came down from the skies
and danced and hung upon the branches of the tree, and they, too, sang
that song,—the song of the Child. And all the other trees and the
vines and the ferns and the mosses beheld in wonder; nor could they
understand why all these things were being done, and why this
exceeding honor should be shown the little tree.

When the morning came the angels left the forest,—all but one angel,
who remained behind and lingered near the little tree. Then a cedar
asked: “Why do you tarry with us, holy angel?” And the angel answered:
“I stay to guard this little tree, for it is sacred, and no harm shall
come to it.”

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The little tree felt quite relieved by this assurance, and it held up
its head more confidently than ever before. And how it thrived and
grew, and waxed in strength and beauty! The cedars said they never had
seen the like. The sun seemed to lavish its choicest rays upon the
little tree, heaven dropped its sweetest dew upon it, and the winds
never came to the forest that they did not forget their rude manners
and linger to kiss the little tree and sing it their prettiest songs.
No danger ever menaced it, no harm threatened; for the angel never
slept,—through the day and through the night the angel watched the
little tree and protected it from all evil. Oftentimes the trees
talked with the angel; but of course they understood little of what he
said, for he spoke always of the Child who was to become the Master;
and always when thus he talked, he caressed the little tree, and
stroked its branches and leaves, and moistened them with his tears. It
all was so very strange that none in the forest could understand.

So the years passed, the angel watching his blooming charge. Sometimes
the beasts strayed toward the little tree and threatened to devour its
tender foliage; sometimes the woodman came with his axe, intent upon
hewing down the straight and comely thing; sometimes the hot,
consuming breath of drought swept from the south, and sought to blight
the forest and all its verdure: the angel kept them from the little
tree. Serene and beautiful it grew, until now it was no longer a
little tree, but the pride and glory of the forest.

One day the tree heard some one coming through the forest. Hitherto
the angel had hastened to its side when men approached; but now the
angel strode away and stood under the cedars yonder.

“Dear angel,” cried the tree, “can you not hear the footsteps of some
one approaching? Why do you leave me?”

“Have no fear,” said the angel; “for He who comes is the Master.”

The Master came to the tree and beheld it. He placed His hands upon
its smooth trunk and branches, and the tree was thrilled with a
strange and glorious delight. Then He stooped and kissed the tree, and
then He turned and went away.

Many times after that the Master came to the forest, and when He came
it always was to where the tree stood. Many times He rested beneath
the tree and enjoyed the shade of its foliage, and listened to the
music of the wind as it swept through the rustling leaves. Many times
He slept there, and the tree watched over Him, and the forest was
still, and all its voices were hushed. And the angel hovered near like
a faithful sentinel.

Ever and anon men came with the Master to the forest, and sat with Him
in the shade of the tree, and talked with Him of matters which the
tree never could understand; only it heard that the talk was of love
and charity and gentleness, and it saw that the Master was beloved and
venerated by the others. It heard them tell of the Master’s goodness
and humility,—how He had healed the sick and raised the dead and
bestowed inestimable blessings wherever He walked. And the tree loved
the Master for His beauty and His goodness; and when He came to the
forest it was full of joy, but when He came not it was sad. And the
other trees of the forest joined in its happiness and its sorrow, for
they, too, loved the Master. And the angel always hovered near.

The Master came one night alone into the forest, and His face was pale
with anguish and wet with tears, and He fell upon His knees and
prayed. The tree heard Him, and all the forest was still, as if it
were standing in the presence of death. And when the morning came,
lo! the angel had gone.

"They are killing me!" cried the tree
“They are killing me!” cried the tree.

Then there was a great confusion in the forest. There was a sound of
rude voices, and a clashing of swords and staves. Strange men
appeared, uttering loud oaths and cruel threats, and the tree was
filled with terror. It called aloud for the angel, but the angel came
not.

“Alas,” cried the vine, “they have come to destroy the tree, the pride
and glory of the forest!”

The forest was sorely agitated, but it was in vain. The strange men
plied their axes with cruel vigor, and the tree was hewn to the
ground. Its beautiful branches were cut away and cast aside, and its
soft, thick foliage was strewn to the tenderer mercies of the winds.

“They are killing me!” cried the tree; “why is not the angel here to
protect me?”

But no one heard the piteous cry,—none but the other trees of the
forest; and they wept, and the little vine wept too.

Then the cruel men dragged the despoiled and hewn tree from the
forest, and the forest saw that beauteous thing no more.

But the night wind that swept down from the City of the Great King
that night to ruffle the bosom of distant Galilee, tarried in the
forest awhile to say that it had seen that day a cross upraised on
Calvary,—the tree on which was stretched the body of the dying
Master.

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